#don't worry this is the only post I'm going to do

[stevieschrodinger]

Eddie hasn't answered the phone in nearly two days which, post Chrissy, post Vecna, post end of the world (averted), post every thing, is a wholly unacceptable amount of time.

Steve does a round robin on the walkie; everyone suddenly realizes they haven't heard from him either. Steve volunteers to go over.

He raps on the front door of the little two bed place Wayne owns now, a little government recompense after they took the trailer away to study, or whatever. Also quite a bit of 'take the house and keep your mouth shut,' kind of thing, Steve figures.

Wayne looks tired when he opens the door, kinda droopy, which Steve knows means he's really tired. Like, holding form is becoming a smidge difficult kind of tired.

Steve slips in fast, 'sorry Wayne, Eddie's van wasn't at his place so I figured he was here,' which he must be, because Eddie's van is here, and not outside his shiny new trailer, 'he hasn't been answering the phone.'

'He's here kid but he's kind of...having a rest day?' Wayne hedges. He's bad at lying, just like Eddie, Steve knows something is up.

'Can I see him, just for a second? Just check all is good?' Wayne gets Steve's protective nature, after everything that happened, he knows Steve likes to look after his people. He also knows Steve can keep a secret, only Steve and Robin know about Eddie and Wayne's shape shifting ability - carrying Eddie out of the upside down, convinced Eddie was about to die, only to have Eddie's glittery insides do something wholly unexpected was...well, Steve knows, is the thing.

Eddie also wins at doing impressions, since he can actually turn into movie stars, and that's kind of cool. Steve always likes watching Eddie turn back into himself though, maybe because of the crush he's been nursing.

Wayne caves, and Steve knows it's bad when he finds Eddie in the bin. He's shimmery and silver, and nearly tipping out the edges. He sloshes a little when Steve walks in, 'hey man, you didn't even make it to the bath? You want me to tip you out?'

Nothing, but the overhang wave of Eddie goo turns, hanging over the far lip of the big trash can. Like Eddie just turned his back.

'Uhm. I just. I just wanted to check you were okay? You know? Everyone's kind of worried.'

Eddie ripples. Like a sigh.

Eddie sloshes out of the bucket, his form building upwards until Steve is standing in front of...Nancy? Wearing a torn Dio shirt and plaid sleep pants.

'Eddie...that's kind of weird man.'

'I know!'. He waves Nancy's arms around, ' I know okay! But I can't stop it!'

'What...you're stuck? As Nancy.'

'Kinda', Eddie hedges, his ability to lie as bad as Wayne's.

'What does that mean?'

Eddie huffs, and shifts again...into Farah Fawcett. He crosses her arms over his now ample chest.

'Eddie...what is going on?'

Eddie shifts again, the hot brunette from the horror movie they watched two weeks ago, Steve can't remember the actresses name. He remembers saying she's hot though.

'Steve just...I'm having some kind of crisis, okay. It's just a bit of a...block. Just give me a few days and I'll be right as rain.'. Heather Locklear explains.

'Eddie...come on man, there's clearly something up.'

'This is so embarrassing.'

'Just tell me, okay? It can't be anything that bad, I won't judge.'

'It can be that bad,' Michelle Pfeiffer whines from behind her hands.

'Eddie...I'm not leaving until you spill.'

'I really...like you...' which, coming from Olivia Netwon-John, probably fulfils some sort of fantasy for Steve, but he has to remind himself he's thrilled to hear it from Eddie, too. 'So now I'm stuck, trying to be someone you actually want.'

'I...oh.'

'Yeah.'

'Well, I really want Eddie. So does that fix it?'

Brooke Shields cocks her hip and rolls her eyes, 'Steve, I'm not doing this on purpose, I don't have any control right now, so I don't need an empty platitude-'

'Its not. I've had a crush on you for ages. I'm not going to kiss you when you look like someone whose not Eddie.'

Eddie slowly melts back into himself, 'you're not?' he asks weakly.

'Nope, I can now though-'

'I'm back!!!' Eddie runs his hands all over himself, disappearing into the bathroom, checking the mirror he shouts, 'it's me! I'm me again! Oh thank fuck! Do you know how stressful that was! Having big tits is hell on your back-'

Eddie rambles, and Steve waits patiently for him to remember they could be making out right now.

Your friend, a shapeshifter (a secret you've kept since childhood) hasn't answered your texts in days, so you head to their home. Upon arriving, you find that they're in the middle of an existential crisis; they can't remember how to turn back into their original, human form.

[niceonejames7]

i love yous and what not

you tell james you love him for the first time

words: 940

genre: fluff

cw: kind of reserved!reader (?), james is an annoying sweetheart

a/n: didn't realise this is another confession blurb. ive been getting too many negative posts (fanwars and all) in my tl so i needed get my head clear. i need to start blocking people don't i.

.....

You were never a vocal person. To tell someone something vulnerable made you recoil into yourself. You liked seeing it through actions. James knew that. But James had always been an expressive person. He liked showing his love, and proclaiming it, and sharing it. Basically, any form of affection. 

Your reluctance had never stopped him. 

He had said ‘I love you’ a month into dating, you hadn't minded it. You already knew he did, and you felt the same. You had only kissed him later, but next morning, it was as if he could predict your words,

“You really don't have to say it. I know you have a hard time with these things. I know how you feel, it's hard not to know. I feel all fuzzy inside when you smile at me" He had grinned down at you as you hid, your face half under the blanket but he knew you were smiling. He could see it in your eyes, and who wouldn't know, he did feel all fuzzy inside. 

So you hadn't said it. At least not as a confession. 

James is terrible company. Terrible because he rubs off on you. You were never someone to wake early in the morning, you still aren't. But your body seems to wake itself to bid him goodbye in the morning, “I'm only going to the gym" He'd say as he kisses your forehead, your body going back to sleep again.

And you had peppered in ‘love you's in your texts, when bid him goodbye, in your notes, magnetic letters spelling out ‘LY’ under his growing collection of pictures etc. etc.

Today's different. He's still annoying with what feels like a weekly routine to cuddle you with cheesy romantic sentences, that you know he means -he knows they make you squeezy- but he says them anyway. 

“This isn't a joke my love, I really would let you stab me,” His arms squeezing your waist as you squirm in his lap, "I'd just be glad you'd be the one to do it." 

You try to be annoyed, but laugh as you make more futile attempts to escape. 

“I feel as if you were made for me. You know that one line," His eyes light up in excitement, your movements still as he concentrates, “I don't believe in God, but I truly believe God made you for me. It's from a book, I think."

“Oh my god, James," You chuckle, your hands pushing on his bicep, but you really only feel them flex under your fingers. 

“What do you want for lunch?" He asks, pressing one last kiss on your lips as he lifts you off of him and goes to get his phone.

“He really needs to stop doing that to me”, you mumble to yourself. 

The next morning, you had woken up as you usually did on the time James left the house. But today he was staying in, you knew this after he proclaimed he's gonna be too tired after last night's activities. You had laughed him off, but you guess he was telling the truth.

You laugh, because he is fast asleep and his lips a little puckered, nose cold to touch. You adjusted his blanket before pressing a kiss to his nose. Then another -then another, deciding those would be the only way you'd warm up the cold.

James was half- awake, he knew you were there, but he didn't dare wake up, his sleepy mind scared that it might be a dream and you'd stop.

Your fingers traced over his eyes, his forehead, his chin, mindless activities to spend time, to rid your mind of the pestering feeling.

It had been present since yesterday, or last week, maybe a month, maybe more. You wanted to say it, but every moment felt too casual, or too formal, or maybe too inappropriate, or too serious. You didn't know what to do. 

You didn't know how he'd react, if he'd resort to his teasing proclamations, or ignore it, or say it back. It was silly to worry about this, there's nothing to fear, it's James. 

You didn't know what made you say it, maybe because he was sleeping, or well- pretending to sleep, or it was the quiet, maybe something else. There was nothing all too romantic about this moment, but you had said it anyway,

“I love you." A quiet whisper, not hesitant or unsure, just nervous. Your pinky finger runs along his nose, it's quite warm now, his whole face is, “I hope you already know that."

He half opens his eyes, just to see a glimpse of your face, it's zeroed in on a curl of his, falling to the side of his face.

 James had known you liked him before you knew. Your love isn't something non- detectable. It was out there, for everyone to see. Unintentionally or not. He had no doubts. He has a million questions if you're saying it because you feel obligated, or pressured or anything else, but he's afraid he might ruin the moment. So for now, He only pulls you impossibly close, his whole body thrumming with excitement, he'd freak out about this later on. Right now he only wants you.

His arms wrap around you, and buries his face into your neck, his warm breath on yours, “I love you, too. So,”- a kiss, “So,”-another one, "much."

He nuzzles into you, and let him, of course you do, fingers brushing out his curls, he continues, “But I think you already knew that." 

[fuck-customers]

We're starting up interviews for seasonals and the amount of people who have no idea how to handle job interviews is astonishing.

You know why it's important to make yourself likeable??? Because none of us here want to work with someone who is an asshole, arrogant, or bland as hell! This is a tiny store with a tiny team - we all got to get along to some degree. No one wants to be around someone who's always negative about everything either. It's not cool or edgy - it's just annoying. You don't have to be super bubbly and out going either.

We have a more casual dress code, but do you see any of us wearing sweatpants and oversized, stained hoodies??? No? Then why did you wear that to the interview?? There are plenty of places to find nice looking clothes for cheap. You don't have to get super fancy either or drop a lot of money on it???

Why didn't we call you to set up an interview? Because you called yourself anti-social and requested a stock room position - WHICH WE DON'T HAVE! The only position listed is sales associate! You also just showed you never walked into the store before because one visit will show this job isn't a good fit for you.

Why should we hire you when you flat out admitted to stealing?? Not just worried about the store products - we're supposed to trust you around our own personal belongings in the back?? Fuck no!

No we're not going to schedule another interview. You didn't even show up to the first one and didn't bother to call ahead to let us know why until a few days after. We already filled the positions because there were others who actually showed up and management liked them! If you would have called beforehand to say something came up they would have rescheduled!

My brother's and sister's in bear please look up some interview etiquette and tips if you really don't know what to do. I'm tired of seeing people complain that it's always the businesses fault when they don't get hired. Please reflect on your own behavior for interviews because chances are it's truly honestly actually you who's holding you back.

Posted by admin Rodney

[goshen-applecrumbledore]

applecrumbledore's ficlet fundraiser 🇵🇸 🇸🇩 🇱🇧 ✍️ ❤️

I'd like to do what I can to raise money for victims in palestine, sudan, lebanon, and anywhere else that's getting rocked by israel and the US, by writing ficlets for folks who donate to fundraisers. starting with 10 spots available! and we're closed!!!!

in a nutshell: provide proof of a new donation of any amount to a fundraiser and get a ficlet—length proportionate to donation amount—written by me, in any fandom I've written for previously. includes spn, the bear, true detective s1, house md & fma

fine print below the cut! please read before submitting

how it works

donate any amount to any vetted palestinian, sudanese or lebanese fundraiser. el-shab-hussein has a great masterlist of fundraisers in their pinned post here, but also probably your dash has plenty.

take a screencap of proof of donation, incl. amount donated. needs to be legit but I'm not going to bust your balls. I'm going to trust that you WANT to donate to genocide victims

to facilitate easy communication: I prefer you email me with your request (ronisimunovic@gmail.com), but you can also message me here. I prefer no asks, due to the way that they are

I give you a length of fic expectation and a rough timeline. think more in weeks, not months

content guidelines

Only fandoms I have previously written for (full list here), including/especially: spn, the bear, true detective S1, house md

can be any ship within those fandoms

Sex, drugs and violence are fine or even encouraged. Be specific if there's a level of porniness you'd like me to hit

Underage is fine within reason. sorry lol

I'm happy to write addendums/epilogues/add-ons to any of my existing fics

dollars-to-length

these are ROUGH guidelines, it's not a science. I want this to be a pay-what-you-can situation, so if you only have a few bucks, donate a few bucks!

prices are roughly in CAD, which means roughly in USD. don't worry about it.

$2–10 - a few paragraphs; an exchange

$11–20 - a page plus (consider a page ~600w)

$21–50 - a few pages

$50–100 - a self-contained whole lil ficlet

+$100 - we can get bespoke about it. longer, anyway

what you get

You can provide a specific prompt or idea, or you can be broad. broad as in, eg, anything hilson, early seasons wincest, rustmarty fluff

You WILL get a fic! you have my word! once I send it, it's yours to do with what you wish (share with friends, etc)

the right to politely tell me if you're dissatisfied with length or content and i'll do my best to fix it

what I need

veto power or the power to suggest another thing, or an edit. This is a fundraiser so I'll try my very best to write what you want, but I need theoretical veto power as a rule

Your patience and understanding with timelines because I'm a human with mental illness and a full time job. again: trust that I am doing my absolute best and you will get your fic

your cordiality, respect and trust

feel free to ask any Qs as replies to this post

let's fucking gooooooo 🇵🇸🇵🇸✊️✊️ ronisimunovic@gmail.com

[candycoatedrox]

great news

i've been doing that for three months!

this is Wade. putting uhhhh. a small* ramble about them under the cut bc. i like them very much ^^ no obligation to read it tho

*it's not small anymore. oopsies

ok so, as previously mentioned, this is Wade. he/they during the events of the game. they'll eventually go by she/they/he but well. (wade voice) "i might be transfem but i have to get out of this timeloop so idrc about that rn"

her personality is actually very similar to Siffrin's already -- the main difference is that she's more lowkey. more eepy. also more anxious but don't worry about that. also she's tall

Wade is the only one with a design rn but i have ocs assigned to each of the major characters...!! except um Bonnie might have two ocs. don't ask me how that works i am trying really really hard to figure it out. long story short one of them (Ji, he/she) is literally perfect for Bonnie story-wise bc in their original story Ji already has an awkward relationship with Wade because of his injured eye... but one of my MAIN ocs (Neri, xe/they/she) has the perfect personality for Bonnie and also if i leave xem out i will be so so sad and they don't fit any of the other characters in isat... i'm. suffering. also also you can see a very rough design for Atlas (she/her) (Mirabelle's role) in that three panel doodle comic. anyway this post is about WADE. and also maybe VALENCE

"who's Valence" I'M GLAD YOU ASKED. my oc filling in Loop's role. it/its. name pronounced vay-lence (after valence electrons, or electrons in the outermost orbit of an atom). nicknamed V by Wade. already has a character arc centered around identity issues and being a clone (though IRONICALLY, in its original story it's not a clone of Wade, it's a clone of the character who takes the role of the King here!! very fun!! i like this fun fact a lot!!!!). already has an extremely sifloop-like relationship (and i mean this in most of the fucked up ways too) with Wade. does anyone wanna take a wild guess why i immediately latched onto isat so hard

anyway i have been. very excited about this au for the past several months heh. as a bonus for making it to the end of my. um. very long ramble about my beloved ocs have a VERY rough Valence design that i don't even think i like very much that i sketched out at school today. it looks way too much like Loop but i don't know how to make it look distinct enough without having to step away from the star motif which i love soooo very much. i'll just have to figure it out lol

Hey. Take my hand. You should swap an In Stars and Time character with one of your OCs whether that means an AU or outfit swap, regardless of if you'd rather focus more on the ISAT character or the OC

[glassladyoftheopera]

In Stars and Time But It's a Musical (Part 1)

Okay hi I need to tell you all about this concept.

First off all I just need to say credit to @openphrase123 for the amazing 'ISAT but as a ballet' posts (here and also here and there definitely more but those are some of the big ones) which definitely inspired some choices here and in general inspired me to do this.

So basically I'm a big old musical theater person (and specifically musician / singer) so I've been fleshing out concepts for a what a musical re-telling of In Stars and Time might look like. I'm honestly not going to get into like... the logistics of how you could actually do it, because even with condensing a lot of things Musicals aren't typically long enough to tell this kind of story, so we're just... ignoring that when I don't have ideas to get around it.

We will start with all of the main characters, their voice types, and their characteristic musical styles!

Mirabelle Mira is our soprano, but mostly her singing and music is very much in the style of Disney Renaissance musicals. Think Belle, Ariel, Hercules, etc. I think it fits her up beat but still sometimes anxious personality. Near the end of each King Fight she gets a cool high notes as she finally has some true confidence in herself!

Bonnie Bonnie would be played by a younger performer with an unchanged voice. This wouldn't really be a dance heavy show, but when there is dancing they would take the lead b/c that's cute. In terms of their singing though it's mostly inspired by classic kid characters from Broadway, namely Annie, The Artful Dodger, and Matilda (especially for their more emotionally intense moments). Their music isn't as difficult, and in group numbers they typically sing the melody with at least one other person.

Odile Odile is the alto of the quintet. It helps her sound more mature than Mirabelle and fits her vibe of not taking on the flashy role. Her music leans a bit more classical, almost Gilbert and Sullivan-esque in her more playful moments. Overall though it tends to be a bit more melodically challenging, but not super fast or syncopated. There would be melodic and instrumental flourishes in her music unique to her that are basically 'Ka Buan' musical elements.

Isabeau Leading man baritone! His style also fairly standard musical theater, but leans a touch more modern in it's styling to accommodate his more emotionally open vibe. He'll have the pop-inspired rhythms and chord progressions, but in group numbers he's the rock solid bass part holding everything together.

Siffrin Siffrin... does not sing almost ever for the first chunk of the show outside of group numbers. He's a tenor, and helps fill out the harmonies, but the impression the audience should get at the start is that they aren't really a soloist. As the loops go on, they gain a bit more confidence, taking bits and pieces of all of the other character's musical / singing styles as they go on. They don't get a full length solo to themselves until Mal du Pays. But the character that most influences their style is...

Loop Loop is full on Broadway Jazz, baby! Syncopated rhythms, brassy sound, fast patter lyrics, the whole shebang. Don't look behind the curtain at what all that glitter might be hiding, stardust~

The King Super bass, in the tradition of opera villains usually being basses. At first the only super stand out thing about his singing is that his range is so distinct, but in later encounters he gets both more delicate moments and moments where the true power of his voice to intimidate comes through.

(Also yes all of the Forgotten Island peeps will have a few musical elements in common to set them apart don't you even worry we'll get to it :3)

Euphrasie The Head Housemaiden has a short little mini song she does for the first bit of her speech. It's simple and catchy. Every time it transitions into her final speech as the musical motifs are distorted.

Dormont The people of Dormont sing mostly in a grand opening number ala the opening numbers for Beauty and the Beast, Fiddler on the Roof, The Music Man, etc. Little bits and pieces of the song come back in various combos and Sif loops and jumps around asking people new things. They would also double as disembodied voices for certain musical numbers that could use extra voices for full out harmony, dramatic effect, etc.

More will be coming soon, so I hope you enjoyed my ramblings.

[fluxweeed]

hi i'm a grouchy old hag muttering to myself in my hut in the woods

1. not everyone finds it hurtful to find out that people are discussing their fic in private discord servers or on tiktok, actually. i for one passionately don't care that people aren't only mentioning my fic where i can see it. ofc i'm curious when one fic gets a sudden unexplained boost in kudos for a few days. am i HURT that i don't know exactly where the new readers are coming from? am i upset that the boost in hits/kudos isn't accompanied with a flurry of praise? am i sad that i can't jump into the discussion? i am not.

2. the messaging of "okay but you wouldn't post the fic if you didn't enjoy validation" makes me want to delete my ao3 immediately kasdjhfg. people post things for all sorts of reasons thank u!! my personal motivation is i'm trying to make myself feel better about making imperfect things!! the idea that by posting fic i'm inherently coming across as seeking praise makes me want to throw up. (since this discussion started, i've considered disabling comments on my fic for this reason – but i'm worried that move is so non-standard that it'll end up coming across even MORE that i want attention, so i haven't taken the plunge yet)

3. i also pretty firmly disagree with "commenting on fic builds community!" (i made this joke in a grouchy bluesky rant already so if u saw that pretend u didn't) but personally i feel the community spirit when i'm in a server discussing which weasley has the biggest dick (percy). i don't feel it when people are being nice to me in my fic's comments. i'd almost go as far as to say community CAN'T be built when one person is praising another bc there's an inherent imbalance. sure, writers can mutually read and comment on each other's fic and become friends/community co-members that way, but what if u don't write? who's in YOUR comments telling u how great u are? idk about anyone else, but when i am in a community space (like a discord server) and someone starts being nice about my fic, i feel awkward. the focus shifts from a shared enjoyment onto something inherently UNshared, because one person is the creator and the others are readers. that's not to say that these interactions shouldn't happen, but imo it's disingenuous to say that's the core of fandom community.

4. i really can't stress enough how crazy it makes writers when they're writing for praise/validation. i've had conversations with very well-known drarry writers where they've been genuinely upset that nobody is reading their fic (the fic in question had hundreds of comments). i've had conversations with people who take part in fests, only to continually sort the works by stats and feel awful that theirs isn't at the top. i've had conversations with people who have had multiple devastating life events happen to them so they're struggling to write, and the lack of New Fic Comment Validation makes them feel 10x worse. i can't help but feel like if you ARE posting for feedback (or "recognition" or however you want to package it), it's genuinely not good for your brain.

5. obviously there's nuance to all of this! it's a big topic! but notice how we're talking about it on tumblr, not in ao3 comments. it would probably be even more productive in a discord server. in a voice chat. you know – fandom community spaces like that.

6. can y'all keep the next round of discussions to like 700 words max pls lmao i have stuff to do

[olderthannetfic]

/post/767033281734688768/i-hate-the-convos-about-passing-but-i-do-think I'd love to agree with this, because it touches on a point I've made constantly in response to "but bi people in f/m partnerships don't need to worry about being with their partner in public," which is "true, but to say they're privileged because of that also means closeted gay people are privileged, and a non-passing trans man with a cis male partner is privileged, and a lot of people would be mad as hell if you said that." It's not that individual instances of privilege in comparison to other queer people never occur, but deciding "x identity is inherently privileged" isn't actually a conclusion you can come to because of that. Any passing privilege, whether it's bi people in f/m partnerships, closeted gay people, non-passing gay trans people with cis partners or passing straight trans people with cis partners, inherently relies on your identity being secret, and being forced to lie about your identity just to maintain privilege isn't privilege in the same way cishets are privileged. It's not "privilege" in the truest sense, it's...survival? Which I feel is what this anon sort of fails at recognising, even if she recognises that any passing privilege is conditional and you can pass and also be oppressed, because like...at the end she says we all need to band together as a community and lift each other up, but that sentiment is sort of incompatible with the earlier sentiment of "people that pass, now is our moment to put ourselves on the line to help the less privileged!" and like...that's actually just going to endanger the people that pass. It's not actually the responsibility of people that pass to be allies or human shields right now. Can't we, you know, call on FUCKING CISHET PEOPLE to step up to the responsibility of being allies right now? There are way, way, way many more of them than us anyway. For most people that pass, there are still going to be many aspects of their lives affected by queerphobia. If op can acknowledge that, and she did, then she might be able to see why "people that are only suffering slightly less than other queer people, it's OUR RESPONSIBILITY to be allies right now!" might feel dismissive. (Also as people in the notes pointed out, "aroace women aren't affected by abortion bans" is a very very very ignorant opinion to have. I'm getting sterilised despite being aroace because, you know, rape exists, and aroace women face high rates of corrective assault.)

--

Cleaning out my inbox from a couple of weeks ago.

Finding all the asks I didn't read for obvious reasons.

[afrsconp]

I'm pretty new to this fandom but I've seen a few posts here and there about Nigel being a bad guy. And I'm not saying he's perfect (he'd be boring if he was!) but I do think some of those posts aren't really considering why, within canon, he'd (re)act the way does.

A few arguments against Nigel I've seen:

Nigel pressured Isaac to move faster than what Isaac was comfortable with, and gaslit him to manipulate him into doing what he wanted.

I can understand the argument for this, but I just don't agree with it. Both of them contributed to the way things ended up, mostly due to lack of communication, which in turn was probably just one symptom of tons of other issues: their old-timey-ness, Isaac still processing being openly gay, both of them probably unused to being in a serious relationship (with a man or otherwise) where they genuinely loved/were attracted to the other party, the prospect of literal eternity together, the sheer length of time they'd pined over each other, the fact that Isaac was the cause of Nigel's death, etc etc etc.

So when people claim things like Nigel getting mad about the daybed = Nigel manipulating Isaac into proposing, it feels a little short sighted.

More than once, we see Nigel actively try to slow things down when he sees that Isaac is uncomfortable, only for Isaac to rush forward instead (to overcompensate for his own worries):

After the truth is revealed about Jenkins lying to both of them to keep them apart, and Isaac still tries to pretend there's no romantic feelings between them, Nigel is visibly upset but doesn't push the issue. He doesn't even try to get Isaac to admit what they both know (what everyone knows!) is the truth - he just hurries away and tries to hide how much Isaac's denial has hurt him.

After offering to let Isaac sleep in the shed when the mansion ghosts have to bunk up, Nigel starts avoiding Isaac. It's not a stretch to think that Nigel was embarrassed/upset at being rejected and decided to leave Isaac alone for a while, giving them both some space, and he only confronts Isaac again when he thinks the real reason he was rejected was that Isaac had been having an affair with Thor.

When they're under the mistletoe, Nigel quickly assures Isaac that they don't have to follow tradition and can just say goodnight - only for Isaac to insist that they kiss. So it's pretty understandable that Nigel gets upset when Isaac facepalms him instead. And not only that, Nigel tries again to back off - he sees that Isaac isn't ready and reluctantly ends the relationship. And again, it's Isaac who pushes things forward by going to find him later and kissing him for real. But kissing him without any explanation about why he was so hesitant to do it before, which only compounds their issues.

When Nigel is like, "we're really baby stepping this thing, aren't we?" after Isaac invites him to move into the mansion, he clearly wants to move into Isaac's room but readily accepts moving into the library instead. He doesn't argue or make a fuss about it.

When Nigel gets upset about the daybed and Isaac tells him that he isn't ready for cohabitation, Nigel again just accepts it. He's obviously disappointed, but he doesn't make any demands. It's Isaac who suddenly jumps straight to marriage, which is something that Nigel pretty clearly did not expect him to do at all.

Just the fact that Nigel waited for Isaac to make the first move, despite it being obvious to everyone that Isaac has had feelings for him for centuries. Nigel didn't force things and knew that Isaac had to accept it for himself before anything could happen between the two of them. And so he waited. FOR OVER 200 YEARS.

2. The liaison with Jenkins during The Respite

Look, this was 100% on Nigel and he shouldn't have done it (even if they were on a respite). But given what had just happened, I can understand why he did it. The love of his life had just shown him that he still wasn't ready, even after 250 years of waiting, so Nigel was upset and frustrated and Jenkins was right there and willing. So he did something stupid, which he later describes as "meaningless" anyway.

3. The lapdance from Jenkins at the stag do

First off, the lapdance wasn't his idea. It was Trevor's, and then Jenkins just ran with it. And yeah, it's clear that Nigel enjoyed it, but it's also clear that it meant nothing to him. It didn't make him have sudden feelings for Jenkins, or made him horny for Jenkins, or anything at all that affected his feelings for Isaac. In fact, he insisted that Isaac get a lapdance too, to prove that they were just "innocent fun". So when he later realized that Isaac's lapdance wasn't as meaningless for Isaac as his own was for him, he gets upset. And, once again, it's Isaac who pushes things further, by insisting that they should still get married despite both of them starting to have doubts.

In case it isn't clear, I'm not saying Isaac is the bad guy here. They're both a product of the time period they grew up in and talking things out isn't something either of them is used to doing.

4. Nigel blackmailing Hetty and Trevor

This one just ignores the fact that Nigel only blackmails them after Hetty sabotaged Nigel's tea party. And yes, inviting Hetty last was 100% an intentional slight, but it was a slight that would've stayed private. No one else would've been aware of it - not even Hetty, had Nancy not happened to mention that Nigel invited her first. That's a very different thing to Hetty publicly embarrassing Nigel by ensuring that his tea party failed.

In any case, Hetty won that little war (as she should have; she's the Lady of the House and I love her outmanoeuvring everyone to stay on top). And after she won, they both backed off. We see them being quite civil to each other after that, like during their double date and the wedding planning (up until the pre-nup thing, but more on that below).

5. Nigel getting upset about the pre-nup

This argument is just weird to me. Plenty of people in the modern day get upset about this kind of thing all the time, so Nigel getting upset about it seems perfectly understandable. It also wouldn't be surprising if Nigel was subconsciously worried that Hetty was still trying to break them up.

In general, I think that Nigel might just be really insecure. He might've been afraid that Isaac was only with him because it was convenient? And was kind of desperate for a solid indication that Isaac's feelings were as strong as his own. And when Isaac repeatedly backed off, those doubts just kept resurfacing, to the point where I don't think Nigel even thought about possible alternative reasons for Isaac's behavior. He just went straight to "he doesn't really want me, maybe he never wanted me". But he doesn't actually say any of this to Isaac, and Isaac never actually tells him about Beatrice or why he's getting cold feet (assuming that Isaac is even aware of the reasons himself!) - until they're already at the altar, in front of everyone, and about to exchange vows. Which is just about the worst possible timing there is.

[ivystoryweaver]

A Date, Then? - Steven Grant

Steven + Cup of tea + Holding hands + Reading

Fall Fluff Masterlist | Steven Masterlist | Main Masterlist

Notes: GN!reader celebrates Thanksgiving, tw food (but it's not a Thanksgiving day fic). Reader is SMITTEN

Word Count: 1k || for @vintagegirl01's request Steven Grant x reader enjoying a cup of tea and holding hands as they read together (Kinda like how Carl and Ellie from Up did in the Married Life Montage where they are in their designated seat reading their own book and holding hands). (I'm not posting your actual ask message yet bc I want to keep the Marc part in my inbox bc I love it & want to revisit it)

"Knock, knock," Steven sing-songs after you've clearly already opened the door. "Hiya."

"Steven, come in," you warmly greet your neighbor, noticing the stack of books tucked haphazardly under his arm. "You can set those anywhere."

"Right, thanks." He nods to your apron. "Cooking something?"

"Mm-hmm, turkey and all the trimmings for Thanksgiving."

"Right, sorry. Thanksgiving Day is tomorrow, innit? Sorry to disturb you." His cheeks flush as he grants you an apologetic wave.

"No, you're fine. I wanted to host a Friendsgiving or maybe a Neighbors-giving? But I only know you so far," you explain, leading him toward the kitchen. "Maybe next year, after I've met more people. I thought maybe you would like some leftovers, if nothing else."

You go on to explain that, aside from turkey, you're making yams with vegan marshmallows on top and using non-dairy items and vegan butter in the stuffing. You're also working on some green beans, cranberries, and of course, rolls.

"You have to work tomorrow, right?"

"Off at 5:30."

"Would you..." you bounce on your toes apprehensively, your tummy flip-flopping. "Would you like to come over for dinner? I understand if the turkey's a dealbreaker, no worries."

"Could I?" He breathlessly returns. "That would be so lovely, actually."

"Perfect," you beam at him, realizing you should have just asked him in the first place.

"So I guess I'll let you carry on," Steven says, stuffing his hands into his pockets and shifting from foot to foot. He nods toward the stack of books he's returning to you. "Loved those. Thanks for the recommendations."

"You already finished them?" You gasp disbelievingly.

"Had some time on my hands."

"Do you have to go? You seem kind of in a hurry."

Steven pauses, confused. "I thought you were cooking."

"No, I was just doing some prep work. We're supposed to read tonight, right?"

"Right." His shoulders relax. "Unless you need help cooking?"

You assure Steven it's all right, putting on the kettle in the process. "Which tea? Blueberry black, white tropical or cinnamon plum?"

"Blueberry black," he decides, reaching with familiarity into the cupboard to retrieve his favorite cup and yours, along with saucers. You gather the spoons, sugar, non-dairy milk and honey.

"You're sure I'm not keeping you?" He politely asks one more time.

You stop in front of him, setting your tray aside. "Steven, it's Wednesday. Eight o'clock. Book time." You smile at him sweetly. "Highlight of my week."

Steven's dark eyes shine with hope and intrigue. "Yeah?"

"Yes. I love our reading dates."

Inching closer, his hands fidget, gaze flickering away from yours before he clears his throat. "So...a date, then?"

"I don't know." You ease toward him, wishing one of you knew how to make an actual move. "Is it?"

The kettle's whistle grants you the reprieve neither of you were actually seeking.

Finally, you settle into to cozy chairs in your living area. Sometimes you read together at Steven's Library - your affectionate nickname for his flat. But typically, your place is more organized and calm. That, and Steven loves your oversized twin chairs.

Since he picked the tea, you would pick the music. Then you grab your current books and settle in. You cozy up with your dark purple cable knit blanket, draped over the back of your chair. Steven tucks his "reading pillow" close to his chest - a mushroom shaped pillow he finds particularly amusing and very you.

Then comes the best part - the most distracting, delicious part of reading date night: when Steven reaches for his glasses. It's a procedure you have memorized. First, he tosses his curls away from where they fall over his eyes. Then he puts them on, biting his bottom lip, before stealing a glance at you.

Busted. Every time.

Your cheeks heat as your eyes dart back to the book you haven't really started reading. Steven opens his book, clears his throat, shifts in his seat and you glance over every time his finger reaches to turn the page. You notice every twitch of his jaw, every time his corded neck bobs when he swallows, every curl that tumbles across his forehead.

It suddenly occurs to you that not only do you have a crush on your neighbor, you're actually quite smitten.

"You alright, love?" His eyes meet yours before he nods down to your book. "Don't think you've read a thing."

"Oh...could you read out loud?" You quickly recover, closing your book and shrugging helplessly. "Must be going cross-eyed from reading those recipes."

"'Course I can." He beams. Steven likes to read to you, and you find the sound of his voice equally thrilling and calming.

Scooting his chair closer to you, he sets aside the mushroom pillow and moves his book into a good position for you both to see. Then he proceeds to make his non-fiction historical perspective sound like a Grimm's fairy tale.

You reach for your tea, realizing you should have brewed something herbal and calming because your heart flutters every time his arm brushes yours when he turns the page. The cadence of his voice lulls you under a spell somehow.

Placing your tea back down, you resist the urge to lay your head on his shoulder or something equally embarrassing, but you want to somehow be closer to him, so you reach for the page next time he needs to turn it.

"I'll help," you whisper as your hands clumsily brush.

Steven almost drops the book, but quickly recovers, covering your hand with his own. "This alright?" Warm brown eyes lock onto yours.

You quickly nod, fighting your nervousness and squeezing his hand to let him know how badly you want this.

Eyes still fixed on yours, he pulls your joined hands to his chest, smiling at you adoringly. He raises the book to continue reading as you bring your opposite hand up to help him hold it in place.

Eventually your head does make its way down onto his shoulder.

You don't know what to say and maybe he doesn't either. But he's holding your hand and you're thankful for that.

Fall Fluff Masterlist | Steven Masterlist | Main Masterlist

[alikuarso]

To answer your question about Fresh: Fresh is actually a parasite! He dresses in his 90's-themed clothes and speaks in a silly way so that others underestimate him. His main and utmost goal is to Survive, and the way he does that is by infecting other people with his parasites and draining the life from their souls. Being seen as harmless lets him get closer to them and gives him easier access for possession. He hopes to eventually take over the multiverse, spreading his parasites in every corner of it and having absolute control.

He also has no emotions. He is capable of them, but for whatever reason he is unable to feel much, besides the rare instance of anger. He does frequently feel fear, though.

He is a bit sadistic, and he likes seeing others suffer. This is because when he takes over someone he drains their soul of life, which causes them pain. And to him, taking someone's body means safety, it means he can survive a bit longer as long as he's snatched their body. So he's come to associate the pain of others as something good.

And he's also aware of the creators/viewers, thanks to an event called the Loveball, which is canon to his character.

Going to copy and paste my own words for this [I was talking to a friend about Loveball]:

"So, like seven years ago there was a fandom-wide event called the Loveball, where people gathered their OCs and had them all attend an UTMV dancing ball. Fresh went, of course. There, he met a Frisk called Pacifrisk. Even knowing who he really was [90's parasite], they still believed he could be good. Before this, he hadn't ever really felt a connection to anyone, or even positive emotions in general. But Pacifrisk's faith in him made him feel positively towards them. This freaked him out. [No Fr@ns though, don't worry. That wasn't the intention for this plot.]

As a result, not only did he try to kill them, but he also went through with his plans: the Fresh Takeover [I forget what it's actually called]. His true reason for attending the ball. OCs were either possessed by the parasites or tried to fight against them. Apparently, some people used alcohol to ward the virus off, as Fresh hates substances such as that.

Fresh wanted to take over the multiverse, with this Loveball being the first step for his total domination.

But then right in the middle of things, a Sans AU [which I totally forget the name of X,D] grabbed Fresh and basically yeeted him into an alternate state of being. One where he could see the creators, all staring at him. An audience.

The Sans revealed the nature of Fresh's existence: That he was simply a character in a story. And if the creators got bored of him, he could easily be written aside and forgotten. Erased. His conquest didn't matter, in the end.

Predictably, this gave him an existential crisis. I'm not sure what happened after, but he stopped invading and went somewhere to contemplate his existence in a depressed state.

Afterwards, he had a new goal: To entertain. To convince the creators that he was worth keeping around. Similar to his previous goal of survival, but now with more dire stakes."

His creator @loverofpiggies has some posts about the Loveball, tagged under either the 'fresh sans' tag or the 'loveball' tag, which I recommend you check out! ^^

But yeah, to answer your question: The reason Fresh fought Ink was probably 1: because he saw it as a good way to keep himself alive and 2: So that he could be relevant and interesting to the viewers.

Hope this answered any questions you might have about him! ^w^

THANK YOU BECAUSE THERE'S NO WAY I WOULD HAVE FOUND ABOUT ANY OF THIS OTHERWISE😭😭😭 THAT'S A LOT

Now I want to draw fresh existential crisis mood, That's something I never would have imagined existed

Im still a bit confused about fresh not having emotions¿ but I think I got the idea, but still, why does he feel fear?

I think fresh is becoming my favorite now, help, error do something

(Thank you again for your time✨️)

[ihaznoclue]

Hello I was just wondering if you can do a angst to fluff post with my baby Tamaki Amajiki. Like the reader (female) is having continuous nightmares about her past and never seemed to have a good night sleep so Tamaki as her boyfriend/soulmate helps the reader is any way possible to get her a good night sleep. Thank you! :)

Pairings -> Tamaki Amajiki x Reader

Warnings -> Nightmares?

Note -> Reader having nightmares so Tamaki is there to help to get the reader a good night sleep

Genre -> Angst to Fluff

Tamaki Amajiki

This is getting ridiculous, it had seemed you had the same nightmare over and over again and you're just sick of it to be honest.

A repeating cycle of nightmares about how your parents died in a fire that was caused by the LOV. You hated those villains with a fiery passion but right now you needed to figure out how you were gonna go back to sleep.

You were laying on your back as you started at the ceiling of your dorm room, you were a year three, which was surprising to you as you didn't think you were gonna come this far but here you are.

Your arm was resting on your sweaty forehead as you calmed down from your mental breakdown for the fifth time in a row this week...

You sighed as you sat up, you throat was a bit dry so you decided to go to the main lounge to get a drink of water from the tap, you stood right up from your comfy bed as you walked slowly to your door and opened it quietly trying not to make sound so you didn't get in trouble for going out of your dorm room.

You now closed the door as quietly walked to the elevator to take it down, you couldn't be bothered to take the stairs since you were literally half-asleep.

What if you fell and face planted on the floor and make a lot of sound to wake everyone up. Nope not on my watch.

You waited until the elevator went down and open the doors, you walked out and came straight to the sink. You opened a cabinet and got a glass cup and poured some water in the glass and then took a sip of it

Thank God. You were finally free from the dry throat that was bothering you as soon as you woke up.

You then took a couple more sips until it was empty and put the glass cup back in the sink to do it in the morning, because you didn't want to make such sound of glass and metal sink clinging to each other.

You sighed as you didn't want to go back to your dorm alone, even though your dorm room was a comfort area for you with a lot of stuff that comforted you in a type of way.

So you turned around to walk back...

"Name?"

"JESUS FUCK-!" You yelled but then the stranger covered your mouth quickly, you looked up a little to only see Tamaki

"Shh.. You need to be quiet love" You nodded as your mouth was un-covered by his hand, you were a bit scared but as you soon realised it was Tamaki, you loosened the tense in your body

"Tama? What are you doing up?" You asked, Tamaki perked at this then replied

"Oh well, I wanted to go to your dorm but then you weren't there so I figured you were out here.." He wanted to find you? This dork

You gave out an airy chuckle as you shook your head a bit "You know you can't come to my dorm you know, I don't want you to get in trouble you dork"

"Uh- Well I mean I just wanted to check up on you you know, you seemed to be tired this whole week and I just wanted to make sure you were okay, I did text you at first but then you didn't reply back as you usually do so I went to your room and didn't find you" Tamaki explained

You totally forgot to bring your phone that you left on your bed side table beside you bed, you groaned as you face palmed yourself

"I totally forgot to bring my phone, I'm so sorry Tama" You worried looked up at him, you might of gave him a fright though

"It's okay love, no need to be sorry about that. We should head on back then" Tamaki requested as you follow him down the hall to the elevator

The doors opened and went inside, you forgot how there were lights in the elevator but luckily you could see Tamaki's face instead of seeing him in the dark

"Um.. Love? Have you been crying?" Tamaki asked, you gave a confused face so he pointed to your cheeks where you had dried up tear stains from your breakdown earlier before you went down

"Oh.. Um it's fine.. I just had a little crying session earlier no biggie" You back the topic down but Tamaki was worried if something happened to you so he came closer

"Uhh- Tama.. Hun? What are you doing-?" You were then interrupted by him rubbing your cheeks that seemed to get rid of the tear stains, then he seriously looked at you

"You had another nightmare didn't you?" Tamaki asked then his eyebrow furrowed in worry, you couldn't bear to look at him in the eyes now

You didn't tell Tamaki about your nightmares that seemed to keep you awake most of the time but he didn't think it was going on forever he thought it was just one night

"Love.. Look at me"

God you loved that nickname, you always seemed to melt at it, you then seemed to melt into his hand that was staying on your cheek as you started to cry again

"Y-Yes I did.." Your voice cracked as you answered, look at him with sad eyes, he instantly pulled you in for a hug, a tight one to let you know you were safe and cared for

He petted your head to calm you down a bit which worked, the elevator doors opened as he took your hand in his as he guarded you to his dorm room

"Wait.. Tama, we will get in trouble If-"

"I don't care.." Tamaki replied

You never saw this side of Tamaki until now, he was more confident to speak as you gave him a reason to be confident but right now he was being confident for you and you only

You didn't say anything after that as he opened his door as led you in, his room was basic but looked comfy, his bed was big for the both of you

"Lay on my bed, I'll turn off the lights when you are on the bed then I'll come over" Tamaki spoke

You walked over to the bed and climbed on it as you crawled to the front and tucked yourself in, his bed was comfy and smelled good.

The lights turned off as you felt tense again as you felt alone until you felt hands wrapping around you as you heard shifting on the bed. Tamaki was tucking himself in now as he placed your head near his chest to hear his heartbeat

His strong arms were wrapped around to make you feel safe and secured

"Try to go to sleep, you really need it, I'll be here to help you if you have the same nightmare again. Now sleep" He said as he kissed your forehead

His heartbeat....

His soft breathing....

His warmth....

This feeling felt nice..

It felt good..

You felt peaceful

and it was all because of

HIM <3

-A<3

[blu3-ja3]

Did I plan to write a feral/murderous O'Connor and how she nearly breaks completely... No! Not at all. But the idea of watching my most stable character slowly breaking is interesting to me so enjoy! This will in first person pov not the usual third person limited that I tend to rock. Enjoy!

!TRIGGER WARNING! Graphic Depictions of Torture and Murder, Psychological Break, Guns, Forceful Drug Use, Sleep Deprivation, Starvation, Sexual Harassment, Severe Disassociation

I'm telling y'all this dark. I don't know what's wormed it's way into my brain but it's not leaving till I have this out. Should I probably not post this? Yes! Am I going to anyways also yes!

🕊️!DEAD DOVE DO NOT EAT!🕊️

Day 1: It's to be a simple week-long mission, my team and I are going into Urzikstan to render aid to civilians. Laswell made it abundantly clear this was just to help where we could, if there's combat we are not to interfere. Farah assured Laswell nothing has occurred and that this is purely to assist with the aftermath. So none of the other 141 came with me. I was a little worried for them as they're being sent on a few low intensity missions also, but I've always enjoyed working with civilians so I took the mission and calmed myself. I'm currently sitting in the large red cross tent updating Price and Laswell. Today was mostly for setting up and preparing nothing too intense.

Day 2: It's been busy, there's plenty of work for me and my team to do. Everything from simple injuries like scratches and to complex burns and stitches. We're mostly treating infections and illnesses but it's been nice talking with the locals and learning of their rebuilding efforts. Alex and Farah help with translation and organization, keeping everything flowing nicely. It's been exhausting but fulfilling, I try to give Laswell an update but I can't seem to get through so I'll try again tomorrow. Probably have to get closer to a long ranged receiver but that's a tomorrow problem.

Day 3: A young man came to my tent asking if I could do a house call, his grandfather was very sick and in no shape to travel. I agree to help before informing my lieutenant of where I'll be and to radio me if something urgent needs my attention. He's a fast kid but I keep pace well enough, my basic medical bag is with me along with my pistol; visible at my side, and my knife; hidden within my clothing. We arrive at a small metal shack with no windows and a small door.

The young man enters before me, holding the door open and waving me in. I have to duck to get through the door. I spotted the old man instantly, he's laying with his back towards us so I can't get a good look at him just yet. I move over to the laying figure and sit on my knees next to him, placing my aid bag down to my right.

I hear rapid shuffling as something hard is pressed to the back of my head. I know that feeling anywhere, this isn't my first time being robbed while on call. Closing my eyes, taking a deep breath and raising my hands slowly. When I open my eyes again the figure in front of me rolls over holding a rifle, it's hard for me to make out in the dim lighting.

"There's only mild pain relievers in my bag, I don't carry anything stronger when on a house call." I try to keep my voice calm and even as the barrel of the gun moves a bit lower towards my neck.

"We're not here for the drugs, we're here for you; Captain Maevis O'Connor: Second Commanding Officer of the SAS's 141 squadron and dear friend to one Captain John Price... That is you no?" A man's voice with a thick Russian accent comes from the room to my left. I don't recognize the voice but they know me which is worrying.

"You are going to be very helpful and tell us all we ask... Or you die! Understood?" I nod my head slowly trying to catch a glimpse of the figure talking but I can't see him.

"Now take her away, we'll talk in better conditions!" Before I can respond I feel a cloth cover my mouth and nose as the man in front of me reaches out and holds the cloth there. I try to struggle, to reach for my radio or gun, anything, but my limbs go weak and my vision fades.

I wake up to cold water splashing against me, bright lights on my face causing me to squint. I try to move my arms but they're bound, my legs are free though. I'm stripped down to just my tank top and cargo pants, no boots or socks. I blink against the light as a masculine figure moves in front of me. He reaches towards me to grab my face, I try to pull back before he grabs my chin.

"You lamb are going to tell me everything you know willingly... Or we'll break you and you'll tell us after. Which would you prefer?"

I turn my head into his hand and bite as hard as I can, I can taste blood in my mouth but I continue biting. A heavy blow to my gut caused me to release my hold. I hear the man cursing in Russian as I receive another blow to my stomach.

"Don't do this Lamb, it will not go how you plan. Please I hate to beat a woman with such a pretty face but I will if I have too."

"Go feck yourself..."

"I just want to know about your wonderful Captain, you see he knows about the location of a very good friend of mine and I would like to see him. Now you're his second in command and a very close ally to John, you must know something about where my friend is, no?"

"Doesn't ring any bells"

"Ah! But I haven't told you my friends name yet! Aren't you a little bit curious?"

"No, don't care either..." Another punch this time higher just below my sternum. I wheeze a bit from the blow.

"Hmm, so you truly haven't heard about the failings of Price to Vladimir Makarov?"

I freeze a bit at the name, I've never heard anything from John himself but Laswell gave me the operation file. There was a lot of blacked out text even at my clearance but from what I could read it's a good thing he's in some unknown black site prison. This isn't going to go well for me, even if I tell them everything I know I doubt they'll believe me nor will they let me go.

"I know of him but they never let me read the operation file. Wasn't interested in reading about a mad man who's dead in a ditch somewhere..."

"AH! But he's not dead, he's very much alive Ms. O'Connor... And you will tell me where."

Another punch, harder this time, the man says something in Russian and I only pick up a few words. Nothing helpful, I feel stupid for never taking Nikoli up on his offer to teach me more than just the basics.

The figure punching me laughs and walks out of my field of view. It's a small field of view due to the bright light shining directly into my face. I feel myself being grabbed by my arms and pulled up, the light in front of me moves and I can see I'm in a very simple concrete cell, no bed, bathroom, nothing just a pipe coming from over top all the way through to the other side and a small table with a chain on it.

The Russian man who was talking has his back to me as he opens the door. I throw my head back hard into the skull of the man holding me from behind and his grip loosens. I take my opportunity to bum rush the man, slamming myself hard against him and the open door. He's knocked prone as I continue to run. Blood pumping in my ears to turn a corner and come face to face with two very heavily armed guards. I try to rush past them but they grab me and pull me back, I kick and flail trying to get another opportunity to escape.

"Oh how I wish you didn't do that Lamb, now my friend will have to teach you a lesson. Demetrius?" A figure steps out of the cell I was in, he has a bloody nose. I feel a small twinge of satisfaction from seeing it bleeding and swelling.

"Teach her well!" With that I'm tossed back into the cell after a guard bounds my ankles, I trip forwards causing the air to be knocked from my lunges. I hear heavy footsteps as the man, Demetrius, looms over me. He steps onto my left leg putting heavy pressure on it, then his full weight as he kicks my side once, knocking the little air in my lungs back out. I watch as he pulls out something shiny and metallic, before placing it onto his hands. I feel a hard blunt pain as his boot connects with my side again, once, twice, three times before he stops. The man over me chuckles darkly as he reaches down and pulls me up by my hair causing most of it to fall out the bun it was tied up in.

He drags me towards the back wall, he grabs something from the table and ties the chain around my wrist. He gets the chain over the pipe and begins to pull me up higher and higher, my toes barely touching the cold cement ground. My arm high above my head stretching my arms and shoulders in an uncomfortable and painful way, there's already a bull ache in my shoulder.

"Such a lovely body." The man's hand begins to caress my hips as I try to move away. He clicks his tongue before stepping away again, he removes his jacket and turns to me with a sadistic smile. He approaches, before landing multiple punches to my stomach and sternum.

Each blow I can feel the brass knuckles he's wearing. There's a slight throbbing pain after every hit, I know I'm going to bruise. He continues to beat me to near unconsciousness before stopping. He leaves me chained up as the first man comes back, he grabs the chair I was in originally and turns it towards me sitting down in front of me.

"Interesting, Demetrius didn't touch your face. I have to say I'm happy about that, you have such a lovely face Lamb." I just stared past him not once looking at him but keeping my head up.

"Come now Lamb if you tell us what we want you'll be free to walk your cell. I'm sure your arms are hurting now, no?" I keep my mouth shut and continue staring forwards. He mumbles to himself before standing to leave.

"Give her half rations and water, you will get more if you speak Lamb."

This cycle continues for a while, Demetrius comes into the cell beats me to near unconsciousness then Wolf (This is the only name I hear anyone call him) comes to try to talk to me. I just stare past him, keeping my head high and my mouth shut. I don't know how much time has passed. I guess a few days but I know Price and the 141 will come. Farah and Alex know I left the area and I've not come back... Unless something has happened to them as well.

I'm not given much food or water, my stomach keeps growling and there's the faint gnawing sensation in my abdomen. I'm kept in the same position, hanging by my bound wrists from the chain above me. Demetrius walks into my cell and drags in a little medical cart. Wolf follows closely behind him before approaching his chair and sits down crossing legs.

"Oh little Lamb you've made this very difficult for us. You've held out well against Demetrius and I must commend you for that." He gives a little clap as Demetrius chuckles darkly next to me.

"But we need the information Lamb so Demetrius is going to start using his favorite tools. Now I'm being kind and giving you one last chance to speak." I see Demetrius picks up a blade and wince as he pulls it across my cheek. I hiss as the pain spreads through my face. I can feel the warm blood trickle down my cheek, it's a stark contrast to the cold cell I'm stuck in.

"Feck. You." I hiss, I know I just have to hold out. My team is coming for me. Price won't abandon me no matter what anyone says. I've seen him do it before for people he's known for less time. Las Almas and Alejandro's team come to my mind as it's the most recent example.

Wolf waves a hand and I feel the sharp dragging pain as Demetrius drags his blade across my upper left arm along the underside. The blade is sharp so I don't feel the pain until after the wound is made, a thumping pain that matches the beating of my heart. I can feel the rapid dripping of my blood, the sound of my blood hitting the ground echoing through the room.

"Lamb? Do you have anything to tell me?"

"You're feckin stupid if you think a simple cut will get me to tell you anything." I stare straight ahead as I try to distract myself from the pain. I can feel another slow pull of the knife across my upper hips ripping through my skin and tank top. I bite my tongue refusing to make any noise.

"Oh come now Lamb let us hear you at least." I keep myself as calm as possible as another cut is pulled across the same hip slightly above the first one. I hear him sigh as Wolf stands up and walks out the cell, turning around to look back towards me.

"If you wish for Demetrius to stop his work all you have to do is talk Ms. O'Connor. Cut her rations again, maybe delirium from starvation will help our little Lamb loosen her lips."

Demetrius continues to slash through my skin and I focus on anything else but the pain. So I start to pull back into my mind. It's like I'm slowly carving a little hole in my consciousness, it's safe and warm there. I can't talk when there as well so I can't let anything slip. Falling into the little cave helps me deal with the pain and hunger, I know I won't have to do this much longer. Price is coming, he'll be here and he will help me get out of here.

I'm dragged out of my head as I feel a hand grab my chin and something slimy drag across my cheek. Demetrius licks up my cheek, collecting my blood and groaning. I feel sick as he meets my eyes and the same maniacal grin spreads across his face. I scream as a piercing pain radiates from my lower right hip, another scream is ripped from my chest as the knife is twisted sharply before being pulled out harshly. The hammering pain matches the rapid beating in my chest.

"Oh so pretty when you cry, I'm going to burn this picture into my mind for later. Thank you Maevis."

He moves away and I quietly cry trying desperately to crawl my way back into the safe little cave in my mind. But this seems to have caved in a little, I can't pull back as far. I can still feel every drag of Demetrius's knife across my chest, arms, thighs, and back. I keep telling myself that it's okay, they're coming. They're going to get me out of here and I'll be safe.

This cycle doesn't last as long as the previous one, or at least I think so, it's hard to tell time. My stomach stopped growling, but the gnawing had spread from my lower abdomen to my chest. Every time I breathe I can feel it biting down on my ribs, like it's trying to eat it way out of me. A wild feral beast chewing at bars of metal in desperation to flee.

Wolf walks in with another man's and Demetrius. I don't bother looking at them keeping my sight fixed on the same spot as before. I've pulled myself out of my head, out of my cave, just a bit to listen to what Wolf has to say. He gives away more than he knows by talking to me. A great little bit of information he's revealed is that he's not the one in charge. He's a middle man.

I keep replaying Ghost's words in my head when he talked to me about combating interrogation. 'Never look at your capture but always listen. If you give them nothing they'll get desperate and will show their hands more often than not. That information can be used and could be more deadly than a weapon. The real task is surviving long enough to know how to use it against them.'

"Lamb, you're being unnecessarily stubborn. You're forcing my hand but again I'm giving you a chance to talk before Ivan is put to work. So I'll ask you again, where is Makarov, what do you know?" He sounds like he's begging, but I'm not stupid and keep my mouth shut.

Wolf sighs and shakes his head, gesturing to the shorter man, Ivan. He approaches me holding a needle with liquid in it. I feel my heart rate spike as I try to move away. I feel a pair of hands grab me and hold me still, I glance back to see Demetrius smiling that same disgusting smile. I start thrashing hard ignoring the pain as I reopen wounds and the strain in my arms and shoulders. I feel a slight prick in my neck and something warm spread through my neck, shoulder, and upper skull.

I retreat into my mind, as far back as I can get hoping that whatever was pushed into my veins would have a harder time affecting me. I know it's unlikely but it's all I can do to comfort myself.

It takes some time for me to feel the changes, everything is brighter... sharper. I can feel every dull ache and thrum of pain across my skin. When Wolf talks it's loud and the lights seem to flicker brighter when he does. He asks his same questions, using the same leverage that isn't that going to change my mind. I'm acutely aware of Demetrius's hands still on my hips, his thumb rubbing circles into my hips. Then he squeezes them and I thrash away from him. Wolf barks something in Russian and Demetrius leaves the room.

'Price is coming, they'll save me. I just have to hold out.' I can feel myself mumbling away, slurring my speech as I keep saying my little mantra. A part of me is very aware saying this out loud isn't a good idea but I can't stop the part of my brain that's blabbering. It's strange how aware I am of myself but unable to control my body. It's because I'm in my safe little cave in my head, just barely keeping my head above the water that has rapidly started flooding in. The pain and drugs mixing with me retreating into myself is dangerous but I'm not drowning. So I stay, breathing calmly, hoping I can pull myself out before I drown.

"Oh Lamb, you truly think Price will come for you? It has been eight days, they do not care for you. Though your little American friend tried to come get you with a small group. We have him in another building, he's faring far better than you. He holds no information that we need so we haven't touched him... Much."

"You're... Wrong! Price... Never! He wouldn't... They'll come... They have to... They will..." I feel something warm slide down my cheeks... Tears, why am I crying? I know they'll come to get me. So why am I crying?

"Poor Lamb is so loyal to someone who has abandoned you, Makarov would never repay such loyalty with this betrayal... Just tell me where he is and I'll personally inform him of your part in his escape."

"No" I hear Wolf goan in frustration before standing and leaving.

"Ivan dose her again when this round wears off. Keep doing so while Demetrius does his usual routine."

Wolf leaves me to Demetrius and Ivan. Demetrius seemed all too happy to continue his work with his knives. He raved about all the foul things he's going to do with me in mind, what he'd like to do to me, how he's more than happy to have such a resilient woman break to him. Every word made me sick and I couldn't handle listening to it anymore. His perverted words mixing with the pain is maddening.

I'm taking a risk, I know it but it's the only way for me to feel safe. I stop trying to float, stopping wading in this water, letting myself sink into thick liquid miasma of drugs and pain. It's calming in a way, everything is muffled and muddy. I feel myself drifting deeper into the strangely numbing cocktail. Safe and comfortable...

I don't know how long I drifted in the cocktail mixture of pain and drugs. I know it's been days, eventually though I resurfaced. Ivan and Demetrius eventually leave as I slowly come down from the drug. My head is pounding and my body feels like it's on fire so I stay tucked away in my flooded cave, head barely above the water. I have to crawl back out a bit as Wolf returns to my cell.

"I tried Lamb, I tried very hard to keep you out of Sergey's room but you are too stubborn. Demetrius get her down."

My ankles are untied and the chain holding me up lowers. I can't help the sigh of relief as my arms fall in front of me. I stumbled forward as I felt a hand shoving me forwards, I got the hint and started walking. There are two armed figures in front and behind me, Demetrius and Wolf to my left and right.

I'm forced to walk for a bit, passing other cells most are empty or impossible to see in. The ones with people in them aren't looking any better than me. Eventually we reach a door and I'm shoved through. It's another cement room with a small window at the top of the far back wall. It's dark I can see there's outlines in the dark of items but I can only make out a few things. There's a light on over a single chair and there's a man standing next to the chair. That's the one thing I can see clearly.

I'm shoved into the chair, my hands are rebound behind the chair. My legs are bound together and then tied to the front two legs. Wolf sits down in another chair in front of me, Demetrius leans against the wall next to the door, and the other man, Sergey walks behind me, draping a rope around the front of me and placing both hands on my shoulders.

"I suggest you speak up now Lamb, Sergey isn't going to give you much time to speak" I stare straight ahead mentally preparing myself for what is next. I don't know if I can fully retreat into myself but I have to protect myself and going there is the only way I know how.

Sergey's hand moved to grab the rope and hold it taunt. I take one last deep breath as the rope is wrapped slowly around my throat. I try to keep calm knowing that if I panic it'll be exactly what they want. But I also know that not panicking will be more difficult as this goes on.

"Last chance Lamb, all you have to do is tell us what you know. You'll be taken back to your cell maybe even get to visit your American friend, yes?"

I say nothing, slowly I feel the rope get tighter and tighter. At first there was not much of a change, it's like breathing with my compression bra and full kit tactical vest. There's a restriction but if you know how to compensate for it, it's not that hard to deal with. Then it's like running for too long, I'm bringing in air but it's shallow. Wheezing and panting, it's not pleasant but it's not enough to kill but it's uncomfortable.

As the rope gets tighter I can feel burning around my throat, the rope rubbing and cutting into the skin making it raw and tender. I can hear my heart beat, feel it thrumming in my skull. You know that feeling when you're holding your breath under water, those last moments of desperation before you push yourself out of the water? Imagine that but there's no surface to break through, I'm just sitting with the feeling. I force myself to retreat deeper into myself.

As soon as I do my body reacts, leg and arms twitching trying to fight against my restraints. My vision begins to blur and blacken around the edges, I can feel my lunges burning like there's fire slowly engulfing my chest. My whole body is thrumming and pounding in tune with my heart, like everything is pulsing. I can feel a cold sheen of sweat across my body, I think I'm crying but it's hard to tell. I think I'm too dehydrated to cry but I'm sweating so I can't be too certain. It's hard to think, to move, to do anything except gasp desperately for air.

I'm teetering on the edge of oblivion, I know if this keeps up I won't be around to see salvation. A part of me is hoping for that little push, to have this all end. I wonder if it would be the same as when I retreat into myself, just floating in the miasma of distant feelings. I wonder if I'll feel the pain of my body slowly fade or if it'll just all disappear at once...

Suddenly the pressure is gone, I'm shunted out of my brain into the driver's seat. I gasp for air, gulping and heaving trying desperately to air in my lungs. The feelings are still there but faint like I'm drifting when I know I'm not. I'm very much in the middle of all of this and I can't retreat to find comfort.

"So are you willing to talk? Because the next thing isn't going to be as nice as this Lamb."

"Go. Feck. Yourself... You can all go rot..." My voice is horse and strained.

"I really do wish you would just cooperate Ms. O'Connor, it's been eleven days... Price is not coming for you. Why protect him?"

I say nothing keeping my expression stoic, but inside I feel something begins to bleed. It's been slowly cracking slightly oozing something into my veins and to my heart. I'm losing hope, I don't want to think of Price abandoning me but it may be my reality. I get nauseous at that thought, because surely at least one of my team is fighting to come and get me, right?

No, this will get me nowhere. "Go eat a bullet"

"Sergey, you have 3 days with our Lamb here. Why not demonstrate the other event she's going to enjoy with you."

Demetrius walks behind me, grabbing the back of my chair and tilting it back holding it there. Sergey ties a cloth over my face and I instantly know I'm going to have to fight. I hear metal creaking and water rushing, footsteps and splashing getting closer and closer. I take a deep breath at the last possible second.

The water splashes over my face covering the cloth. As soon as I can't hold my breath for any longer I begin to move my head taking deep gasping breaths before moving again. Water invades everything, burning as it goes down my nose and throat, stinging as it rushes across the cut on my cheek. I hold my breath as the water moves across my face, I try to keep my movements subtle. I don't want them to be able to predict me. Eventually the water stops and the rag is removed, the rope around my shoulders is being picked up again.

"Good luck Lamb, Sergey doesn't find pleasure in this work so he'll be changing frequently between the two. I'll see you again in 3 days, hopefully after your time spent with Sergey you'll be more talkative."

I watch as Wolf leaves the room and I feel the rope tighten. There's searing pain all across my neck and a pounding in my head. I'm also incredibly cold, being wet causes the rope to slip and a soft cry escapes my lips as more tears fall from my eyes. I hear Demetrius chuckles darkly and fresh tears fall as my air supply is stolen from me again.

The next chunk of time is numbing. Going back and forth between retreating into my mind to being shunted back out in order to survive drowning it breaks a small part of me. I don't want to give up hope but I can't wait any longer, if I stay any longer I'm going to die. Escaping on my own is just as likely to kill me but there's a chance and I can't hold out any longer.

Wolf drags me back to my original cell, putting me back into the same position as before. He sits down in his chair, dismissing Demetrius and bringing another soldier to stand beside him.

"Oh little Lamb you're losing hope, I can tell. There's a dying spark in your eyes. Do you know how long you've been here?"

I keep my head down, refusing to meet his eye but too tired to keep my head up. I'm so tired, I just want this to stop... But there's only one option that will truly make this stop, I have to escape.

"14 days... Two weeks and nothing from your captain or team. I will leave you for now, let you recover for a few days and think about where your loyalty lies Lamb..." Wolf leaves and so too does the guard.

I have a rough plan on how to get out, Wolf has been true to his words so far. Because of that I've had plenty of time to think and realize that the pipe I'm strung up on is loose. If I can just get enough leverage I'd be able to get myself out. Beyond that it's survival but it's my only chance.

I'm receiving a meal again, once a day or at least that's what I assume the cycle is. There's multiple guards when the meal comes so I can't spring the plan then, but it may be my only hope.

I hear the shifting of my cell door and as I look up through my hair I see Wolf approaching with my food. It's just him in the cell but Demetrius is standing outside smiling at me. I feel nauseous again.

"You've had a day to think Lamb, how are you feeling? Maybe a bit of food will help you better come to the right answer."

"I'd think a lot better if I wasn't strung up like a butchered pig."

"I'd let you down if I could but sadly it is not my call Lamb. If you gave us what we needed then we could let you down Lamb." There's a commotion as multiple armed guards come rushing towards the cell.

"Sir! There is multiple armed soldiers invading cell block A! What should we do?"

My heart leaps to my throat, is it them? Are they finally here? Was I right that they'd come for me!?

"Who are they?"

"Mostly armed militia sir, they're only trying to get to cell block A. Its not the men you warned us about!"

No... No that can't be. Why aren't they here... Why have they left me? What did I do wrong? Surely they're here right? They haven't abandoned me... It's Farah coming to Alex... But do they even know I'm here... Does anyone know... Do they think-

"Send all squads except for A and B squads, they will guard the halls here."

My vision pulls back, back into that safe comforting area of mind that I've scraped and clawed at to keep myself sain. That dark bleeding feeling becomes a flood. I'm not in control, I can't be anymore. I'm not capable of it anymore, so float and sink. The flooding of the black fluid emotion seems to be what's moving me now.

The soldiers rush away and Demetrius turns his back to the cell. Wolf is still sitting in front of me with his back to me and he looks distracted. I grab the chain, pull myself up, swing my body forwards and wrap my legs around Wolf's shoulders. I pulled him towards me so I have better leverage and used that to pry the pipe down.

Once the chain and pipe becomes loose I loop the chain tight around Wolf's neck. And then I pull, putting all of my strength until I feel a pop then keep going until there's another pop and Wolf stops flailing. I drop onto the ground with the body of Wolf underneath me.

I stand, dropping the chains, and grabbing the pipe. Demetrius still has his back to the cell, I move towards the bars. Quickly I get the bar out of the cell and in front of Demetrius, I grab both sides and throw my entire weight back. I can feel him thrashing and clawing at my arms.

"Not so fun being on the other side is it?" I can see the panic in his eyes as he tries to turn his head towards me, something inside me purrs with satisfaction. I throw my weight back once more and hold it until he's no longer moving, until he's no longer breathing, there's a purr again. I check both bodies finding Demetrius's brass knuckles and a knife left in the cell. I cut my hand loose of their bindings and take a moment to let relief flood my system.

I open the cell door and go the opposite way the soldiers ran. My body is moving on its own, going from shadow to shadow. It's like I'm watching from a distance, through a thick fog. Everything is murky and hard to see or hear, but I still know what I'm doing.

I know that I'm currently pressed against a wall listening to three lightly armed guards talk to each other. I can feel the excitement and joy as they split off two and one. I can feel the strain of my body as I grab the guard and pull him towards me. The swift movement of my knife across his throat, the warm coating of blood across my hands. The ache and pain from moving the body to better be hidden.

My body doesn't grab his gun, a part of me understands. I have the element of surprise right now and guns are loud, but I can hear another part of me screaming to grab it. That gun is a safety net and we need that small comfort, it sounds desperate as it please. But whatever is in control doesn't care and keeps moving.

Again finding shadow my body approaches the two guards, they stop and turn their backs to each other and stand facing down two opposite directions. Slowly approaching the one on the right and grabs them. Pivoting so the guard so he's facing his buddies as they scream and shout in Russian. The one not grappled turned and sprayed a spread of bullets hitting his friends. There's warmth spreading across my lower abdomen as the body's blood seeps out all over me and the tattered dirty clothes I'm still wearing. He's still alive so my knife and hands get a fresh coat of red.

Grabbing the dead man's side arm and shooting it twice at the chest of the female guard. The two bodies drop and my body is on the move again. It's odd how different my body is on auto pilot, running purely on instinct, adrenaline, and that dark flooding feeling that is all around me.

I know what it's called, what it is but saying it, acknowledging it feels like it will break something in me. Permanently changing something I could never get back. She knows it and I know it, we both know as well that this is the only way to protect us. So She stays in charge, surviving on feral instincts while I sink slowly deeper into our mind. Escaping further and further away from everything because this is how I'll survive.

She finds more guards, four solo roaming the halls. Each one painted our hands and arms with more red, with each kill I can feel myself sinking further and further away. It's odd I've never allowed Her full control like this, She's always there when I kill. That overwhelming emptiness I feel when I pull the trigger... It scares me every time, so I focus on their humanity and the sadness of ending them. Better the devil you know than the devil you don't.

She finds another two soldiers, dragging the first one away into a shadowy alcove. As soon as the blood on our arms started to cool the other soldier appeared opening fire. The sharp, crystal clear, stab of pain pulls me up to the surface of everything. I have the chance to pull myself into the driver's seat again but it's so comforting to be just drifting. So I let myself sink again, because if I'm going to die then I want to die with whatever comfort I can get... And being adrift in this lonely sea of my mind is the greatest comfort I have.

She moves again tackling our assailant and stabbing into his throat. Standing and moving again we continue down the halls. Then there's the unmistakable sound of rapid gun fire down the hall in front of us. She ducts into the shadows again, slowly moving us towards three figures... All of their backs turned towards us. Distracted by something else and not paying attention to the danger right behind them. I can feel the deep satisfaction She purrs out as it echoes through the waters I'm floating in.

The one furthest back is the first to go as She launches herself onto the back of the first guard. Our knife finds a home in his neck, three times as more red coats more of our body. He's still holding his rifle and all it takes is for her to aim towards the second soldier, his friends impulses do the rest it unloads into number twos back.

I feel myself slipping further away, I can't handle being so close. I can feel everything, the thrumming of pain, the pumping of adrenaline, the warmth of blood soaking my body... The lack of emotions... There's nothing, just death. And that scares me so I sink further below, into the comforts of my mind.

Still holding the body She turns towards the last soldier as he fires repeatedly into his fellow guard's body. Only once he starts to reload his rifle does She begin to move, surging forwards and tackling him to the ground. It's only once we're on the ground that it seems to register that our beloved knife is in the neck of the first guard. Thankfully though we have the brass knuckles from Demetrius's cold corpse.

There's a difference between slicing someone's neck open and beating someone to death. It's a difference I never wanted to know but I do now, I can't seem to slip far enough away. I can feel everything, every crack of bone, every splitting of skin, and every splatter of blood. I force myself further away, I can't deal with this.

She grabs the soldier's knife and stabs it into his chest. I can hear the movement even through the pounding of our heart and our heavy breathing. She turns pulling our new knife from the guard's chest and begins to move towards the last living guard. She stood over him before falling to our knees, one on either side of him.

"No, please... Please! PLEA-" His begging is interrupted as the first stab goes into his back, puncturing a lunge. A lung being stabbed while some is talking isn't a pleasant sound. There's a rushing of garbled air that escapes the mouth. His pleas get quieter and quieter as her stabs get louder and more frequent. Only stopping once the guard stops moving. Something moves in front of us and I can feel the blood thirst spike again.

"O'Connor are you okay?"

Wait I know that voice! We know that voice!

She stands up gripping the knife tightly, that the same purr echoes around me. Excited for more blood...

"Calm down you're hurt, we can get you out!"

No no no no! Stop! We know him! It's Soap! He's a friend! He's our boy!

I try desperately to swim up, I have to gain control. I can't stay here but it's so hard to get out. Why? It's been so easy before to pull myself to the surface and out into control, why has it changed? I can't get to him in time. I watch in horror, trapped in my own mind, as my body moves to kill Soap.

Something large, dark, and strong grapples my body dragging Her away. I see the white skull and panicked blue eye of Ghost. I continue to claw desperately in my own mind. What once was a comfort, a way to keep myself sane and safe, now feels like another prison for me to escape... Because if I don't I may kill my boys.

Ghost gets the knife out of our hand and prevents Her from grabbing his knife attached to the vest he's wearing. I can hear Soap begging for me to calm down and every part of me is screaming the same thing. Ghost is a formidable opponent when sparing but we're evenly matched, though he tends to win a few more rounds. I hope more than anything that today is one of those days that he predicts the winning move right.

She goes to lunge again and Ghost predicts it, dodging to the side before moving to pin our body against the ground. Positioning himself better, he puts me into a headlock before sitting back. He wraps his left leg around and pins our left leg, properly preventing Her from getting any leverage.

"O'Connor please, calm down. It's just me and Johnny, we're not here to hurt you!"

She continues thrashing and growling, I can feel Ghost squeeze harder. I can feel our nails dig into Ghost's arm. At first there was only fabric but then I heard something rip and I could feel flesh. Ghost squeezes harder and the same suffocating feeling overcomes me but this time I truly hope I don't get the chance to resurface. Because I'm not sure I can get back into control in time.

"Calm down O'Connor!"

Slowly the thrashing stops and I can feel myself slipping into unconsciousness. Finally I resurface but I know it's too late so I give into the oblivion of sleep.

I'm floating again, but there's something wrong. This isn't me shielding myself from something happening, this is the familiar in-between of conscious and unconscious. That state where your mind is awake and your body is still out. I focus on what I can remember and panic floods everything, the torturing, my escape, the disconnect getting worse, my feral frenzy, Soap and Ghost. Suddenly the curtain is lifted and I can hear myself screaming.

I'm sitting up, pushed far back against the bed, breathing heavily. I'm in a hospital room not a concrete cell and all the tension and panic is gone. I look to see everyone here, Laswell, Price, Ghost, Soap, Gaz and Roach. I feel tears streak down my cheeks as they check in on me and indulge me in a group hug.

Eventually I was discharged and learned I was kidnapped by the Russian ultra nationalist extremist group. They were keeping tabs on Farah hoping to catch Price the next time they interact together... But I was the second best opinion. Farah and Alex visited me in the hospital and explained what happened.

My lieutenant never informed anyone about me going out for a house call despite regulation. It got chaotic and busy very fast. It took Farah going to look for me about two days later to realize I was missing, it was only then that the lieutenant spoke up. Alex manages to track down the young man who lured me away. He learns the young man's sister was being held hostage and that luring me away was the only way she'd be set free.

It took four days to find the prison sight, only for their attempt to break in to fail and gets Alex captured. Farah the entire time was trying to get ahold of someone from the 141, anyone but nothing was going through. By the time Farah managed to get something through Price was already on his way. I feel relief knowing they were looking for me, trying to find me but I feel a bit of resentment towards how long it took. I know logically why it would've taken so long but I can't seem to shake the bitter resentment that has made it's home next to my heart.

Everyone was with me as we had to drive and again I felt myself crying. I hate that I doubted them but that small dark part was whispering that it was a reasonable thing to do. Before we leave the hospital to go back to base, Laswell stops me.

"Maevis, before you return to base I have a massage from Quinn..." There's anxiety in Kate's voice as she hands me a small envelope. "I'm sorry she's had a change of heart. I wanted to tell you before you got to base... You usually try to talk to her and I know you'd likely try..." (My friend no longer wants her OC to be in a lesbian relationship, is okay that happens! Love you Jules)

I spent the ride back to the base thinking; about Quinn, about my most recent experience, about those who've stuck beside me and tried to save me... About the shame and frustration I felt and still feel. There's a whirlwind of a million thoughts and emotions in my head and I can't focus on a single one.

Once back on base Price calls me into his office, we walk together into the room. I sat in front of his desk chair expecting him to sit there, instead he sat in the chair next to me. He had his hands clasped together with his head down causing the shadow from his bucket hat to cover his face.

"John? Wha-"

"I'm sorry it took us so long Maevis... There's no excuse for it. I should have known something was wrong the moment our communication stopped. As soon as you didn't come back from the week deployment I should have pulled everyone back from their ops and looked into it."

"John... You couldn't have known, Farah already told us that their communication was compromised. You also had multiple small operations going that you had to pay attention to. I was the one least likely to be in danger, I had Farah and Alex with me and a full squad dealing with injured civilians. I'm fine now..." I try to keep the tears in but I can feel the warmth of them falling onto my cheeks.

"15 days and 12 hours... You had multiple lacerations, bruising, and rope burns. You were severely starved and was extremely close to death by dehydration. Not to mention the lack of sleep and the cocktail of drugs in your system... You were tortured within an inch of your life and you managed to escape. You don't experience all of that and walk out fine." Price looks at me with that look. The same look he gives he'll give one of the youngsters after a particularly rough day. Thankfully this isn't the first time I've cried in front of Price so I don't feel ashamed or embarrassed.

"That's not the worst part for me though John! I... Sweet Jaesus I thought you'd never come. That you'd left me or that you couldn't find me." Price placed a hand on my shoulder and squeezed it slightly to comfort me.

"Then Farah's team broke into the wrong cell block and something snapped. I was so confused and hurt... I was angry... I felt... Hopeless like no matter what I was going to die so I at least wanted to die trying to get out of there..." I was struggling to breathe as the words kept tumbling out, I just kept blabbering about everything that happened. Everything came out, I told Price everything that I experienced and how I coped with it.

"I'm sorry Maevis, I'm so sorry..." John pulls me into a long hug after I finish talking. We stayed like that for a while John holding me while I cried into his shoulder. It reminds me of when we were younger, all those rough nights with Will, questioning if I made the right choices. Eventually though I calm down and I leave to debrief some random Superior Officer with everything that happened and what I learned.

An hour and a half of me going into graphic details and some high ranking general asking stupid questions. Once I'm finally dismissed the cantina is closed and I'm not in the mood to go to the rec room so I just walk to my office. I have to replace my bandages anyways. I open my office door to see Gaz sitting in front of my desk. He turns and smiles at me as soon as I close the door.

"You didn't come to dinner and Price told us you had to talk to your COs and answer questions... I noticed you still weren't out of your meeting as the cantina was about to close so I grabbed your dinner..." It was then that I noticed the tray of food on my desk, still warm.

"Thank you Gaz, that's very thoughtful of you." I walk over and sit across from him. We chat for a bit while I eat, he tells me about the mission he and Roach were sent on. It was just some simple recon with plenty of gorgeous views.

"Would you like help with some of your bandages? I know they're difficult to replace alone and I'm already here..." I smile at Gaz before nodding. I'm wearing a tank top with loose pants because of all the bandages and how uncomfortable they are when I wear a turtle neck. Though I have been wearing my hoodie.

It takes a bit and by the time Gaz finishes helping me with my arm and neck it's late into the night. I tell him I can get the rest on my own and that he should go to bed. After Gaz leaves and I finish replacing my bandages I go to bed.

It's been a few days since I've been dismissed from the hospital and put on medical leave. I'm having trouble sleeping consistently so I'm currently out for a late night walk. It was raining earlier today and now it's the perfect weather for a night walk. I'm slowly walking around the outside of the furthest hanger.

I don't see or hear anyone when suddenly there's a figure behind me. I feel myself shunted out of the driver's seat and into that same miasma from before, my vision loses focus and my body reacts before I can even comprehend. I spin and grab the figure shoving them hard against the building. I look to see Roach is who I have pinned.

Roach who has a look of shock and pain written across he face... He has fear in his eyes, he's scared of me. And that realization pulls me back so fast I wonder if I can mental whiplash. I quickly let go of my hold on the boy and step back. Shame floods senses and blurring my vision.

"I- I'm so sorry Roach... I don't know what came over me! Are you okay?" I can hear the fear in my own voice and the tears welling up in my eyes. I try to keep them at bay but they start flowing freely. Because instead of saying or signing anything to me, Roach steps forwards and pulls me into a hug. I cling to him as the tears continue their journey.

"I'm so sorry...I didn't mean to hurt you, to scare you... I don't know why I did that, I've never done that before... I don't know what came over me, I'm sorry. I'm sorry!" It's getting harder and harder to breathe.

"Mom, calm down... Breathe for me yeah?" Roach pulls back a bit and places my hand onto his chest above his heart. I can feel the faintest thumping of his heart and the inhale, exhale of his chest. I unintentionally start breathing in sync with him, calming me down.

"I snuck up on you, you reacted. You didn't hurt me, I was just caught off guard. I wanted to ask if you'd like to walk with me?" I nod not trusting my voice.

We walk together in relative silence, occasionally being broken up by small chats or Ripley barking at Roach to throw her ball. We eventually make our way back into the barracks and split up to go to our different rooms. I'm physically exhausted which helps me shut off my brain a bit and fall asleep easier.

I'm sitting in my office catching up on paperwork when two figures appear in my doorway. I look up to see Ghost and Soap walking in and sitting across from me at my desk. I set aside what I was doing to give the duo my full attention.

"I wanted to say thank you for getting me out of that prison and I'm sorry for attac-"

"Don't apologize Doc" Ghost cuts me off and Soap nods in agreement. Soap stares at me, like he's looking for something before speaking.

"LT said it best, you weren't yourself. Whatever attacked us was running on pure instinct alone... Though that was scary as hell, you were horrifying. I'd say almost as scary as Ghost!" Soap was smiling as Ghost gave the sergeant a slight shove on his shoulder.

"But seriously I don't ever want to be in your sights like that again. You looked ready to tear my head off and play football with it, if Ghost hadn't jumped in when he did." Soap got this far off look before he continued to speak. "I really hope none of us have to see you like that ever again... It felt so wrong to watch you act so ruthless."

" I'm sorry you had to witness that... It scared me too, I didn't feel in control at all. It was like I was locked away in my own head watching my body react without my input... I hated it." Ghost nods his head with this knowing look in his eyes.

"Doc... Roach told me about last night, he told me you had the same look in your eyes..." I look at Ghost and he has a familiar glint in his eyes.

"While I was..." I make a vague gesture. "Anytime it got to be too much I slipped into my head, it was the only place that felt safe." I focused on a spot behind their heads. I felt like I couldn't look at them as I talked about this.

"Eventually I just stayed there, only resurfacing to listen to that bastard talk. But there was something breaking that I couldn't fix... And then the dam broke and I just kept sinking further and further down..." I felt the warmth of fresh tears on my cheeks and I just want to curl into myself.

"Is it fixed? The dam?"

"I don't think so, there's still a leak I can feel it slowly oozing near my heart. It was worse the first few days in the hospital..."

"What will it take for that dam to break again? Will it break again..."

"I don't know honestly... It will... Now that it's broken I don't think I can go back to normal." I look at Ghost and we maintain eye contact, silently acknowledging each other.

"How do we help you when it happens again Doc?"

"Knock me out, after that... I'm not sure... I've been struggling to figure out how to cope with everything. I'm still physically recovering so I can't really do what I'd normally do. I can't workout or go to the range and I can't just throw myself into a mission because I've been sidelined." I rub my temples as I think a bit more before sighing.

"Usually I'd read but I haven't gone into town to buy any new books... Though I suppose I can, now that I'm sidelined for a bit."

"Then that's what you do Doc... Trust me it takes some time to get back to some form of normalcy after something like that. You won't be the same, there's permanent changes from what happened." Ghost has the same sad look in his eyes, every time I look at him since I've woken up in the hospital.

It's not a look of pity, it's a look of understanding. Like he knows exactly what I went through and I know he does. He probably understands better than anyone even me. There's a sense of camaraderie between us now... A camaraderie that neither of us wanted the other to understand, but sadly that's not the case. Instead it's nice to know that there's someone here who can intimately understand the why behind something.

I'm not alone, a sad but comforting fact.

[portalhan]

⠀ꔫ˚　༝　◌ ⌒⌒ three strikes !

↳ jeongin swears on his life that he's seen something odd between you and felix... exactly three times, in fact, but he needs more concrete proof...

PAIRING: felix lee x gn!reader

FORMAT: one shot

GENRE: college au, friends to lovers, fluff, jeongin third wheeling...

WARNINGS: brief mentions of food and being sick (just the flu bug nothing huge)

WORD COUNT: 2.8k

FAE'S NOTES: this is just a little bit half-assed... idk if i have much faith in this and i believe i can do better than this but i'm gonna post it anyway for you guys! please let me know if you have any feedback, my writing muscles have basically atrophied and i need to find my rhythm again TT

jeongin doesn't usually second-guess his closest friends like this, but something has changed. he knows you and felix well enough to know at least that.

you have always been hard to read. you're an independent, reliable sort of person, not outwardly emotional nor needlessly arrogant either—you tend to show your love for your friends through small, quiet gestures. felix, on the other hand, is someone who wears his heart on his sleeve—almost to a fault. always baking extra brownies to gift people, always going the extra mile, always looking on the bright side, even in the darkest of situations. he is as fragile as he is affectionate.

yes, affectionate. that's the word he's been looking for to describe the changes in your friendship with felix. you've been more affectionate. jeongin has always chalked it up to felix's own proclivities rubbing off on you given the sheer amount of time you spend together, but now... he's not so sure it's that simple. there have been three strikes jeongin has kept score of so far.

STRIKE #1

jeongin remembers it was a tuesday, because that's the only day of the week where all three of you shared classes. you would always sit in a row near the back of the class. he has made it a point to memorise both yours and felix's timetables this semester—as do the both of you with him—so he knows you don't usually have prior arrangements before coming to campus. you've always had a tradition of meeting in the lobby before walking to class together as a result.

so, when his phone pings with a message from you saying 'sorry innie, we're gonna be a bit late! pls go to class first, just save us seats', he is immediately struck with confusion. what did you mean, "we"? felix, uncharacteristically, hasn't said a word and it's already 5 minutes shy from when class starts. he always arrives at least 10 minutes before. how strange, jeongin thinks to himself as he trudges up the stairs to class, incredibly unfamiliar with the circumstance of having to do so on his own for the first time. he just brushes the nagging suspicion off, telling himself it was probably because of some public transport situation that's delayed you both—not something entirely uncommon.

it's about 15 minutes into the class before he sees you. the second he spots felix and you stumbling through the doors, profusely apologising to the professor for your tardiness, though, is when the same sensation of suspicion comes back. as you and felix shuffle to make their way to the seats jeongin saved for you, he can't help but notice your attire. you're wearing an oversized black shirt with some graphic of an anime printed on. jeongin's eyes squint as he stares at it, assuming it must have been a new purchase of yours. but he swears he's seen it before.

when you and felix take your seats and the professors picks up where she left off, felix turns to jeongin and apologises for being late. "we're really sorry jeongin, we owe you one," he quips, before he fishes his laptop out of his bag. the younger boy just shrugs it off as no big deal. plus, he had something else on his mind to worry about than harp on the two of you being late to class.

the dots quickly connect a few moments later in jeongin's head. felix has a shirt just like the one you're wearing. he swears he's seen him wearing it before, just last week when the three of you had gone out for dinner. it's been a shirt of his for years now, so worn down by so many uses that it has bleach stains on the sleeves, despite how much care felix puts into his clothing.

jeongin leans back in his chair and slowly, subtly pushes it back. he steals a glance at your side profile, thankfully without either you or felix noticing. there they were: bleach stains on the sleeves. upon further inspection, the shirt you were wearing looks way too worn out to be a new shirt—he concludes it must be felix's. but why would you wear felix's dank shirt to begin with? it would be weird to ask if that's his shirt you were wearing, so he decides to keep his silence for now.

STRIKE #2

this time, it was jeongin's turn to be late. the three of you had planned a picnic to celebrate the end of the gruelling semester—an idea felix suggested. he wanted it to be a potluck, so the each of you planned to bring something of your own making along.

jeongin wanted to go all out with his: he wanted to bake cupcakes, something felix had recently taught him how to. he wanted to show you his latest endeavours, baked fresh, but he didn't expect it to go sideways so last minute. he ended up showing up almost half an hour late, hair sticking to his forehead from all the sweat and cupcake frosting smeared all over the tupperware he placed them in out of haste.

when he finally spots the two of you amid the grass field at the park, he notices something... odd. he stops in his tracks to catch his breath and squints his eyes to get a better look. if he didn't know any better, he'd have thought you two were... holding hands? the sun was glaring directly in his face, obscuring his vision, so jeongin couldn't be 100% sure. but what he does know is that your figures were so close to each other they were practically shoulder-to-shoulder. this isn't exactly beyond felix, who is notorious for his habits of physical affection. but it is most certainly out of character for you, as someone who prefers to keep most people at an arm's length.

jeongin shrugs it off. he guesses felix nor he would be considered "most people". perhaps it was a trick of the light. he also doesn't have good enough reason to find it entirely strange—perhaps felix had gotten through to you in that regard. he had bigger things to worry about: your dinner getting cold.

STRIKE #3

the legitimacy of the third time is still up for debate, jeongin surmises. this time it wasn't your behaviour around each other, instead more so about how felix in particular reacted.

this happened over summer break. he remembers the sun being more unrelenting than ever—40 degrees celsius to be exact, he saw on the news—so you three had just decided to hang out in your bedroom, where the air conditioning is the coolest and crispiest (according to you). jeongin vividly recalls you lying on your stomach atop your bed, while the two boys were sprawled on the floor. that is, the carpet that laid over the spot where they would usually sprawl on the floor.

it was one of those 'parallel play' days, as you liked to call them. not necessarily doing things together, but doing separate things in the presence of each other, you said one time. felix was busy on his switch playing some pokemon game, you were scrolling on your phone and jeongin was just seconds away from drifting off to sleep on felix's lap.

it's been silent for, what, almost two hours now? but you end up breaking it first. "woah," you suddenly exclaimed, brows furrowing as you read something on your screen. "do you guys remember seungmin? from calculus?"

jeongin does not move an inch aside from nodding his head, and felix just lets out a little "yeah?" though his eyes were never once peeled from the console screen.

"i think he just asked me out," you tell them, bewildered.

this, of course, elicits reactions of surprise from jeongin and felix. the former lifts himself and sits up to ask details, while the other just turns the switch off—did he even save his progress on the game?—and sits there in silence as he silently watches you and jeongin discuss your classmate's... proposition. jeongin makes a playful jab at how you could have given him the wrong idea by flirting with him, which you immediately shut down. "i've never done anything suggestive to him, i swear!" you exclaimed in full defense.

seungmin has only ever made conversation with you once or twice in class, jeongin recalls. you also never really put in the effort to get to know your other classmates if jeongin and felix were in the same classes. jeongin makes a passing comment about how seungmin could pass as your type (if you squint hard enough), but it falls on deaf ears when you and felix meet each other's gazes.

"you're gonna tell him no, right?" felix suddenly chimes in after moments of prolonged silence, raspy voice cracking just a little. jeongin snaps his head to turn and look at his friend, head tilted and brow lifted. you give felix a look jeongin cannot quite describe, and chuckle with a soft smile as you nod. "of course i'm gonna say no," you assure him. he lets out a very heavy sigh of relief, but none of this goes unnoticed by jeongin.

this is very weird, jeongin remembers thinking. you have always been receptive to potential love interests, even if they weren't necessarily people you'd normally be into. so why are you so sure now that you'd reject seungmin without even giving him a chance?

on that note, what's it to felix who asks you out? why does he have a say? plus, he could've sworn he detected some semblance of... jealousy in his question. but he supposes that could be normal considering all three of you are so used to spending time with each other. jeongin does admit to himself that he'd feel lonely if you were to be whisked away by some stranger out of nowhere. it wouldn't be the same.

jeongin has theories, maybe even concepts of a theory, but no concrete enough proof for confrontation—so far. it looks like he has to wait till he does before he can address the massive elephant in the room.

FINAL STRIKE

it finally happens when he decides to stop by your apartment with take-out. you had told your friends about falling sick the night before—alas, you have caught the flu bug. they were just textbook symptoms like a low-grade fever, sore throat and a runny nose, nothing to worry about in particular, you told them. but jeongin just so happens to pass by your neighbourhood on his usual route home from work, so he decides to drop in with some chicken soup for you as a small surprise. you had already been texting the group chat the entire day about how exhausted you were to make yourself a half-decent dinner, so jeongin thought this would be a nice way to take care of his friend.

he knocks on your door multiple times to no response. maybe you're sleeping? he looks around the potted plants sitting outside your door and lifts the snake plant up, grabbing the rusted spare key tucked away from prying eyes just underneath. he quickly and quietly unlocks the front door and lets himself in. i'll just go in, check on y/n and put this soup on the table, he tells himself as he enters. maybe text you to let you know he got you dinner.

that is, until a warm aroma of what he believes to be fresh bolognese wafts to where he is at the front door. he hears the distant clanging of pots and pans coming from the kitchen, and—strangest of all—he hears... conversation? he can definitely hear you talking and even giggling, but he can't quite make out who the other person was. he's about 99% sure there was someone else in here, but could it be just a phone call? he sneaks down the hallway to the kitchen, the noises getting clearer as he inches closer. when he sticks his head out from a blind corner to peek into the kitchen, he sees it: felix plating a fresh bowl of spaghetti while you're sitting on the dining table engaged in idle chatter. a lump catches in his throat—what is felix doing here? and most importantly, why didn't he know of this? he felt momentarily betrayed.

jeongin just stands there in silence, unsure of how to confront you, while you and felix continue chatting. it's only when felix sets down two plates of pasta and goes in to plant a peck on your cheek does jeongin yelp in shock, which frightens all three of you.

felix squints his eyes, which widen in utter disbelief when he recognises the familiar facade lurking by the corridor. "jeong...in?" he asks, voice trembling a little from disbelief. when he says jeongin's name, you shoot him a similar look, but this one is more panicked and afraid. jeongin awkwardly steps out within view, but he puts a hand up to cover his mouth to prevent himself from screaming. he raises the other arm to point an accusatory finger at the both of you. you swear you just heard felix gulp next to you.

"i..." jeongin sputters. "i knew it! i knew something was going on between you two idiots!"

the verbalisation of his revelation is what completely opens the floodgates, causing the entire place to erupt in complete and utter chaos. jeongin paces back and forth with the chicken soup still dangling from his fingers as he rants about how he's caught you doing "weird stuff" a couple of times but couldn't have known, about how he's been feeling a little left out recently, how you have been looking at felix funny sometimes. meanwhile, felix just begins to talk over him with near-equal (if not more) amounts of sheer panic and distress, reaching out to him to get him to calm down while explaining that this wasn't how they had intended for him to find out.

you, crippled by the shock from jeongin's unexpected appearance, just sit there, unable to do much of anything what with your flu, just silently watching felix and jeongin form a panic attack circle jerk in your own house.

"enough!" jeongin raises his voice, which immediately shuts felix up. jeong has never raised his voice. you shoot felix a nervous look.

"i thought we were best friends," jeongin utters, the slightest hint of melancholy lacing his voice. he looks offended. you've never seen him look this offended, not even when he was accused of academic misconduct that one time. "i'm happy for you, ecstatic even! i swear i am, but really? why would you keep this for me for so long?"

you decide you should talk to him—felix is very clearly out of his depth when it comes to handling intense situations like this and he's only making jeongin feel worse with all the jabbering. you stand up from your seat on the table and walk over to him, taking your hands in his.

"i'm sorry, jeongin. we... we weren't entirely sure of how we were gonna do this," you tell him, almost in a whisper.

felix scratches the back of his neck, avoiding any and all eye contact with either of you. "we wanted to keep it quiet," he admits. "at first, at least."

you nod in agreement, and turn back to look at jeongin. "you were going to be the first person we would break the news to. not even our own parents, i swear," you divulge, while you spot felix in the corner of your eye making a silent crossed hearts gesture to double down on his sincerity. jeongin's once-tense features start to ease up a bit, but not entirely. "you are our best friend. we never want you to feel like this. we're sorry," you assure him, before pulling him into a bear hug. you feel felix join from behind you to make it a group hug.

"i don't care what you guys have going on, but don't keep any more secrets from me. got it?" your friend huffs after you all pull back, feigning some sort of authority. felix chuckles at how ridiculous he sounds—being the youngest of the three, the tone just sounds alien when it comes from him. "we would never," felix tells him, reaching out to give jeongin a firm pat on the back. "i think y/n might like you more than me anyway, they're always going, 'we should call jeongin! we should send him a photo! we should—"

your palm slaps against the lower half of your boyfriend's face in protest. "we might be dating but you're on thin ice," you glare at him, before he raises both hands to surrender.

jeongin jovially chimes in to break the tension: "can i just say, i've always felt like you'd get along. aren't you glad i introduced you to each other? you wouldn't be a thing if it weren't for me, ya know." felix and you just huff in response—he can have this.

[trans-leek-cookie]

chewing on my hands no curly did not need to fucking murder jimmy to protect Anya. He wouldn't, not Just because of the fact murder even in self defense is deeply distressing and therefore. Y'know a last resort (and Jimmy is his friend. I am curious how long Jimmy's weird resentment has existed and if it was ever obvious before the events of the game but I'm getting off track) but also. Anya LITERALLY SAYS "I have to believe our worst moments don't make us monsters" like I'm not saying she's at all okay w what jimmy did but like!!!

She's VERY OBVIOUSLY conflicted and coping! She DOESNT want him dead (well maybe she does but I don't think it's something she thinks would actually be an easy fix. She doesn't want it Logically bc the situation is. Y'know it's a spaceship w 5 ppl and he's the fuckin co pilot)

CURLY COULDVE STILL DONE MORE AND HANDLED THE SITUATION BETTER!!! Personal opinion he didn't realize it was SA and/or didn't realize how traumatic it was for Anya until she brought up pregnancy and its a mix of genuine and willful ignorance (which Logically Makes Sense but is still not an excuse) but like. He says himself she doesn't get psych evaluations!

Murder is not an easy solution! Some survivors/victims want their abusers to die and that's its own discussion, but even beyond morality and ethics: thats 20% of the fucking staff on this stupid ship!

There's a longer post to be made about the fact capitalism is the ultimate enabler of these issues and dynamics, because the combination of isolation, small crew size, complete abscence of support, disregard for employee safety and physical danger all contributed to the fact this Could Happen and the fact this Is Such A Fucking Hard Situation even if you always prioritize the victim bc. Anya's safety is threatened either way- letting Jimmy do Whatever is obviously dangerous, but also HES THE CO PILOT! The events of the game are literally an example of why you NEED A CO PILOT (though in game he's fucking. Shit at his job which y'know) because you need redundancies to make sure you arent Completely reliant on one person (like. Imagine if Anya got seriously injured. There goes the medical staff. Maybe the others have basic training but Jesus Christ being the ONLY medical expert on staff. And even then iirc she's a nurse which not to downplay the work that goes into that but it is fundamentally one of MULTIPLE medical jobs and only having A Nurse is. FOR OVER A YEAR OF TRAVEL GOOD LORD THIS IS A NIGHTMARE) anyways. Longer post by someone smarter Abt how even though jimmy is an awful person a lot of the harm he does is only possible bc of a combination of The Situation (isolation + small group) and His Power (social power as a man over the One Woman and power as the second in command)

This post got away from me bc this game makes me think a lot but what I actually wanted to say is: Curly could have done more by being more present for Anya and being more Aware of Jimmy's actions (and intervening to make sure he isn't able to interact with Anya in isolated settings). Like I also think straight up murder isn't an ideal solution but like. There's a lot of fucking THINGS YOU CAN DO TO SUPPORT VICTIMS THAT ARENT MURDER

In the end I think it's a consequence of basing the approach on punishing the aggressor rather than supporting the victim, because like. It's less important to Kill Jimmy (no matter how much you want to) and way more important to KEEP ANYA SAFE

[deoidesign]

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